We see still images of books published by the characters, for example, when they are introduced as writers. The montage is so entertaining and dynamic in part because of the variety in the visuals. Their separation will become a key part of the rest of the film. But Margot and his relationship is clearly unfulfilling for the both of them.
![the montage the montage](https://travelsort.com/wp-content/uploads/2020/12/Montage-Healdsburg-Sonoma-Open.jpg)
Carl and Ellie were unable to have kids and Russell eventually becomes a son to Carl. It pre-empts Carl’s relationship with Russell.The jar of coins and the purchasing of the tickets, just before Ellie’s collapse, suggests this. It establishes Carl’s want in the film – to get to Paradise Falls.This justifies Carl’s grumpiness for the rest of the film as it is clear that he has lost his soulmate. It establishes the love that Carl and Ellie have for each other.The sequence is able to serve a number of different purposes: We begin the sequence witnessing their wedding and end it seeing Carl standing alone at Ellie’s funeral. Carl harnesses them – at first they nearly fly off without him – but then he has one by his side at Ellie’s funeral. The balloons as a motif throughout this sequence.The repetition of the couple climbing up the hill creates an emotional impact once Ellie collapses.The film uses a number of repeated images to show the progression of time: This overtonal montage is so effective that it functions almost as its own short film. Within the space of four minutes, a montage shows Carl & Ellie’s married life, from their wedding to Ellie’s death. The “Married Life” montage from the beginning of Up is a montage example that lives long in the memory of many audiences. Though, as we will see below, the lines between them are not always clear and they are often used in combination. These methods of montage are still in use today. The shots are linked through a similar intellectual meaning.
![the montage the montage](https://i.ytimg.com/vi/6ZQLuB241f8/hqdefault_live.jpg)
![the montage the montage](https://s3.amazonaws.com/uploads.montagehotels.com/u/sites/2/2015/07/instagram-hero.jpg)
Intellectual – very different shots cut together as a visual metaphor.Overtonal – cutting according to overtones and themes within different shots, while incorporating wider themes of the film and creating an emotional response from the audience.Shots are linked based on aural or visual similarities. The highlighting of emotional themes or meanings in the shots themselves.
![the montage the montage](https://students.iitk.ac.in/mnc/img/montage_out.jpg)
Tonal – cutting based on tones within the shots.Therefore edits differ in length depending on what happens within the sequence. Rhythmic (aka Continuity Editing) – cutting based on the content of the shots.Metric – cutting shots together based on exact measure or length of time, disregarding the length and content of the shot.The term, montage, was coined for cinema in the 1920s by Sergei Eisenstein. He explained 5 methods of montage: